zporphyrogenita:

image
image

Meryl Streep and Goldie Hawn in “Death Becomes Her” (1992)

juliedelpy:

“Then this picture which I always thought this painting was sort of like making the movie, you know the pointillist style, which is very very close to it. You don’t have any idea what you’ve made until you step back from it. I used it in this context to see… he’s looking at that little girl which again is, you know, a mother and a child. The closer he looks at the child the less he sees, of course with the style of painting being really…but the more he looks at it there’s nothing there and I think he fears that the more you look at him the less you see there isn’t anything there. That’s him.

– John Hughes Commentary: The Museum Scene,
FERRIS BUELLER’S DAY OFF (1986), dir. John Hughes.

theroadtofairyland:

image

Our Stars

Watercolor on Black Paper

2019, 8"x 10"

White Cherry Blossoms

gondwana:

I’m starting a food truck where the only thing u can order is a cigarette and a sprite

japaneseaesthetics:

ARTIST: Takahashi, Hiroaki (Shotei) (1871-1945)
TITLE: Mice, Radish, and Carrot
MEDIUM: Woodblock
DATE: 1926

praial:

Iceland: Landmannalaugar, Suðurland

goodreadss:

Almond Tree in Blossom (Interpretation in Red),
Artist Vincent van Gogh
Year 1890

Almond Blossom, 1890
Artist Vincent van Gogh
Year 1890

byakuyas:

YU-GI-OH! DUEL MONSTERS, episode 1

chandelyer:

Zuhair Murad fall 2021 rtw

evrayle:

“I always thought I’d know when my time was up. That I would slip away knowing my death had meaning. That I would go peacefully, as I have prayed for so many others to do before me… But the will to fight is a hard one to resist.

FUTURE STATE: IMMORTAL WONDER WOMAN #2

verafarmiga:

the ✗-files as film noirs
[ insp. ]